Life as a Spectator Sport

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Saturday, March 13, 2004

Personal rants for a change instead of political ones. Nick and I decided to go to the movies last night. I had a choice between watching Agent Cody Banks (another Spy-Kids-rehash) or the movie remake of Starsky and Hutch. I knew I wasn't going to like the latter, but I couldn't bring myself to sit through the former so I watched it.

Yep, I didn't like it. It was a pathetic excuse of a slapstick parody of one of the better 70's cop shows. The writers made a thief out of Hutch (showed him stealing money from the wallet of a homicide victim), had the pair meet for the first time at the beginning of the movie when in series canon they had attended the police academy together, and couldn't even manage to spell their supervisor's name right (Dobey, folk, not Doby!).

I know, how trivial. What's ironic is that the character whom I thought would be the least believable was the one who had been something of a stereotype to begin with in the series--the bar-owner-sometimes-informant Huggy Bear. Antonio Fargas played Huggy in the series--no doubt a white producer's idea of what a "soul brother" would be--but considerably improved by Fargas' cool amused attitude. Snoop Dogg was cast for that character in the movie, and to my surprise—though he played Huggy as a far more over-the-top, almost campy, black bar owner—it was a stereotype of a bar owner more than of an African-American man. He wasn't just cool, he was almost over the line into cold, much more like what a bar owner might actually have been in that time and in the most seedy part of town.

Ben Stiller didn't actually do a bad job of portraying Starsky. He managed the same kind of loose-limbed frenetic restlessness and the same malleable face as Paul Michael Glazer, the original Starsky. But like the rest of the production, his Starsky was little more than a parody of Glazer's—his facial expressions wild where Glazer's had been little-boy-appealing, his physical presence nerve-wracking where Glazer had been only high-strung.

Owen Wilson did what he could with what he had. Not good, not bad. What he had to work with was pretty wretched, and he at least didn't make it any worse.

The movie naturally had to take note of something the series glossed over—the alleged relationship between the characters. Many reviewers have noted that the two of them lived practically in each other's pockets. Starsky never got into the back seat of a vehicle via the door; he always climbed over Hutch. They hugged unashamedly, comforted each other when relationships broke up, spent as many nights in each other's apartments as in their own. David Soul, who played Hutch, went so far as to say (years later), "If you can think that way--if you want to think it's a homosexual relationship, if you think that's what it is--then that's what it is."

Whether one thinks that way or not, what was depicted was at least a close friendship, the kind of bond one expects to find between people in high-stress occupations. Partners, buddies, brothers, etc. The movie made a caricature of that relationship with cheap shot images of the two of them in skimpy towels in the squad's shower room, and an imaginary dream-image scene that showed them wearing identical sweatshirts with "Starsky and Hutch" embroidered in rainbow colors.

But to mitigate at least a little the waste of seven bucks, the fact that this was an obvious intentional caricature started me thinking. Hollywood made a movie version of Wild Wild West that had the same kinds of faults, and one of Charlie's Angels that I didn't see, but have heard described with the same disgust and disbelief by people who enjoyed watching the original series. You have to begin wondering after a while whether this is one generation's way of spoofing what their parents held dear, a way of saying, "Can you believe they really watched THAT?"

Well, yeah, kiddies, we really did, and you did a lousy job of recreating it. If you want to poke fun at other people's entertainment, you might want to consider the possibility that some day your kids are going to watch Buffy, and Friends, and Sex in the City, and roll on the floor laughing at you.

The one good feature of the movie was the very brief cameo appearance of David Soul and Paul Michael Glazer in the last few seconds. I could have gotten recent pictures of them off the net, though, and not had to sit through seven bucks and 90 minutes worth of juvenile silliness.

Sorry, rant mode off now.
posted by Liz @ 10:12 PM     |


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